
Photo: Mark Taylor, 2012, via Wikimedia Commons (CC BY 2.0)
Rush returns to the stage at Sphere in Las Vegas in May 2027 for Elevate From The Norm, a five-night residency and the band’s first run in the building. Geddy Lee and Alex Lifeson will play a set of favorites and greatest hits in celebration of Rush’s music, legacy and the life of late drummer and lyricist Neil Peart, joined by drummer Anika Nilles and keyboardist Loren Gold, the same lineup as the band’s Fifty Something tour. The dates are May 21, 23, 26, 28 and 30, 2027. Artist tickets go on sale to the public on Friday, November 13, 2026, at 10 a.m. Pacific, after a Seated presale on November 11. Official VIP and travel packages, through Superfan at Fontainebleau Las Vegas, are already on sale.
If you are going, the question that matters most is where to sit. The seat that puts you closest to Geddy Lee and Alex Lifeson is the one that hides the most of the show. Lee has said Sphere sounded tailor-made for the visual attitude with which Rush has always designed its concerts, and the band plans to play all of 2112 and all of Moving Pictures plus other songs. Here is how the sections compare, what that setlist plan means for the night, how tickets work and what to know before show night.
Rush at Sphere dates for 2027
These are the five Elevate From The Norm dates announced by Rush and Sphere Entertainment on November 5, 2026. Ticketing listings show an 8 p.m. start; confirm the time on your ticket when you buy. Doors open 90 minutes earlier.
| Date | Day | Notes |
|---|---|---|
| May 21, 2027 | Friday | Opening night |
| May 23, 2027 | Sunday | Opening weekend |
| May 26, 2027 | Wednesday | Midweek show |
| May 28, 2027 | Friday | Memorial Day weekend |
| May 30, 2027 | Sunday | Closing night, Memorial Day weekend |
That is only five nights, with no Saturday date on the books. Memorial Day in 2027 falls on Monday, May 31, so the last two shows sit on a busy travel weekend in Las Vegas. More dates could still be added, but these are the ones announced so far. There is no announced opening act.
The short answer: best seats for Rush at Sphere
For most people, the best seats are in the center of the 200 and 300 levels, roughly sections 205 to 207 and 305 to 307. This residency is being built for a wraparound picture as much as for close-up playing, and from those rows you see the band and the dome at once. Front rows of the side 300s, such as section 302, are a strong value pick when the center sells out. If being close is the point, floor seats put you at the stage, but you will spend much of the night looking up.
The floor layout for Rush has not been published yet. Ticketmaster’s seat map at the November 11 presale and November 13 public on-sale will show whether the floor is reserved seats or a standing pit. Other Sphere residencies have gone both ways: Metallica uses a standing Snake Pit, while John Mayer’s 2027 run is reserved seating on the floor. Until the map is up, do not assume a general-admission rail.
The reason the higher center seats win for this show is the building. Sphere holds about 17,600 seats in four tiers, plus the floor, inside a dome whose inner surface is one LED screen of about 160,000 square feet. The picture wraps up and over the audience, so the higher and more central you are, the more of it you can see without turning your head. For a long night that is supposed to include a 20-minute 2112 suite and the complete Moving Pictures album, a center 200 or lower-300 seat keeps the stage and the screen in one glance.

Photo: Y2kcrazyjoker4, 2024, via Wikimedia Commons (CC BY 4.0)
Section by section: what you see from each level
Floor: The closest view of Lee, Lifeson, Nilles and Gold, and the loudest room energy. You will see hands on the bass and guitar, and you will have a direct line to Nilles’ kit. The screen is mostly above and behind you. Fans who have seen other Sphere concerts from the rail often say they loved the closeness once and then bought upper seats for a second night to see the production.
100 level: The front and middle rows, including sections like 110, are a good compromise, close to the stage and clear of the overhang so you still see the ceiling visuals. The back rows, roughly the mid-20s and up, sit under the 200 level, which cuts off the top of the picture. Check the row before you buy, and treat "limited screen view" or "restricted view" listings as a real warning, not a soft one.
200 level: Center sections 205 to 207 face the stage head on and clear the overhang. You see the band well and most of the screen, which makes this the best all-round choice for people who want both. Side 200s such as 209 and 210 work, but the picture skews.
300 level: The center sections, 305 to 307, see the screen most evenly, and the stage lands at a natural eye line from the front rows. Side sections like 302 are often the best value in the house when priced below the center 200s. The stairs are steeper than the 100s, so plan bathroom trips between sets on a three-hour-style night.
400 level: The top tier is the farthest from the stage and the steepest. In the center sections the view of the screen is broad, and for the midweek May 26 date these seats may be the most available after the on-sale. Some people with a fear of heights find it uncomfortable. For this show, many fans would call the center 400s the cheapest way to see the whole production.
Side sections: The far ends of each level look at the screen from an angle, so some scenes look skewed. They are fine for the music and the crowd, but pay more for the center if the visuals are a big part of why you are going.
| Seat area | Artist view | Screen view | Good for |
|---|---|---|---|
| Floor | Very close | Partial, lots of looking up | Watching the playing up close |
| 100 level, front and middle rows | Very good | Good if clear of overhang | Closeness with most of the picture |
| 100 level, back rows | Good | Top cut off by overhang | Saving money, if you accept the cutoff |
| 200 level center (205–207) | Good | Very good | The best balance |
| 300 level center (305–307) | Distant | Best | Visuals across a long set |
| 300 level side front (e.g. 302) | Distant, angled | Very good | Value and a wide view |
| 400 level center (405–407) | Far | Very good | The cheapest full-screen seats |

Photo: Y2kcrazyjoker4, 2024, via Wikimedia Commons (CC BY 4.0)
What the Rush Sphere show looks like
Official announcements describe a night of fan favorites and greatest hits, built as a celebration of the catalog and of Neil Peart, who died on January 7, 2020. In the announcement, Lee said that when he first heard of Sphere he thought it was a shame Rush was no longer touring, "because this venue sounds tailor made for the kind of visual attitude with which we have always designed our shows." The band, he added, is working to expand its touring concepts "and concoct some new madness to suit this incredible venue," and to play the kind of show it has been doing in some of its "one off" cities: all of 2112 and all of Moving Pictures along with other songs.
How the visuals will track the 2112 suite, Moving Pictures and the rest of the night will only be clear once the residency opens. Until then, the smart seating choice is the one that keeps both the stage and the dome in view for a long evening rather than locking you to a single close angle.
Sphere’s press materials promise the wraparound LED display, Sphere Immersive Sound and sensory feedback, including the venue’s haptic seats. About 10,000 of the seats vibrate during shows. Fifty Something concerts have been running about three hours, so comfort and an easy aisle matter on a night built around two complete works plus other songs.
The seat that puts you closest to Geddy Lee and Alex Lifeson is the one that hides the most of the show.
Rush at Sphere setlist expectations
As of November 8, 2026, Rush has not yet played Sphere, so there is no Sphere setlist to quote. Do not treat any fan rumor list as confirmed. What is confirmed is Lee’s description of the show: all of 2112 and all of Moving Pictures, plus an array of other songs, in the spirit of certain Fifty Something "one off" nights.
On that tour, which opened on June 7, 2026, at the Kia Forum in Inglewood, California, "all of Moving Pictures" has meant the 1981 album in order: "Tom Sawyer," "Red Barchetta," "YYZ," "Limelight," "The Camera Eye," "Witch Hunt" and "Vital Signs." The band played that complete sequence as the start of set two on June 11 at the Forum. "All of 2112" has meant the title suite, which runs about 20 minutes when played in full. Some Fifty Something nights have included all seven parts of the suite (Overture through Grand Finale); others have used the shorter three-part version of Overture, The Temples of Syrinx and Grand Finale. Until opening night in Las Vegas, it is safer to take Lee at his word that the Sphere show is meant to include both complete works without guessing which extra songs fill the rest of the night.
The wider Fifty Something pool gives a fair sense of what "an array of other songs" can mean: "Xanadu," "The Spirit of Radio," "Subdivisions," "Freewill," "La Villa Strangiato," "Closer to the Heart," "Working Man" and other catalog staples have all appeared, with night-to-night swaps. If you want a fixed song order before you go, wait for opening-night reports in May 2027 rather than trusting a guessed list now.

Photo: Enrico Frangi, 2004, via Wikimedia Commons (public domain)
Who is on stage
Geddy Lee sings and plays bass and keyboards. Alex Lifeson plays guitar and sings. They are the two remaining co-founders, and they are the reason the residency exists. For Fifty Something and the Sphere dates they are joined by Anika Nilles, a German drummer, composer and producer, and by keyboardist Loren Gold. Gold’s hiring made Fifty Something the first Rush tour with more than three main musicians on stage.
Nilles is not a surprise guest for Sphere. She has been the touring drummer since the reunion tour began in June 2026, Rush’s first run in 11 years and the first without Peart in 52 years. Reviews of those shows have focused on how carefully the band is honoring Peart without turning the night into a museum piece. The Sphere announcement is explicit that each night celebrates his life as well as the catalog.
Rush formed in Toronto in 1968, sold more than 45 million albums worldwide, and was inducted into the Rock & Roll Hall of Fame. Peart joined in 1974 and wrote the lyrics behind 2112, Moving Pictures and most of the songs people will be flying in to hear.

Photo: Y2kcrazyjoker4, 2024, via Wikimedia Commons (CC BY 4.0)
Rush at Sphere ticket prices
As of November 8, 2026, Rush and Sphere have not published a starting face-value price for general tickets. Those seats go on sale to the public on Friday, November 13, at 10 a.m. Pacific, through Ticketmaster. The artist presale begins Wednesday, November 11, at 10 a.m. Pacific. To get in, register through Seated before that start time; registered fans receive a unique presale code. Do not wait until Wednesday morning to sign up.
VIP and travel packages are sold by Superfan, the official partner for this residency, and they are based at Fontainebleau Las Vegas rather than at The Venetian. Rush Backstage and newsletter subscribers had a two-hour head start on Friday, November 6, from 10 a.m. to noon Pacific; packages opened to everyone at noon that day. Official materials describe three VIP packages with premium seating. Select packages include a chance to meet Lee and Lifeson, collectible band-signed merchandise, access to the Xanadu VIP Lounge and dedicated merchandise pickup. An official Rush pop-up shop will be at Fontainebleau.
Travel packages bundle a stay at Fontainebleau with concert tickets, VIP extras, exclusive merchandise and shuttle transportation to Sphere. That last detail matters: Sphere sits at 255 Sands Avenue and connects to The Venetian by a pedestrian bridge, so an independent hotel booking next door is still the easiest walk-in plan. A Superfan package puts you farther north on the Strip, with a shuttle included. All official links are collected at rush.com/sphere.
A few ways to pay less once general seats are on sale: compare the Wednesday, May 26 show with the two Friday nights and with Memorial Day weekend; look at front rows of the side 300s before the center 200s; and if you buy in the 100 level, make sure the row clears the overhang. Group rates are not available for Rush. Official tickets run through Ticketmaster and Sphere. If you are weighing other shows in town, see our guide to Vegas shows on a budget.
Show night: what to know before you go
Getting there: Sphere is at 255 Sands Avenue, connected to The Venetian Resort by a pedestrian bridge. Rideshare and taxis are simplest, but traffic before an evening show is heavy. If your Superfan package includes the Fontainebleau shuttle, use it; if you are staying elsewhere, our guide on how to get around Las Vegas without a car covers the Monorail and walking routes.
Tickets: Tickets are digital only, so charge your phone and add them to your wallet before you leave dinner. A small power bank helps on a long night.
Bags: Sphere is a no-bag venue. Small clutches and purses up to about 6 by 6 by 2 inches are allowed, and lockers are available for anything bigger. Earplugs and compact binoculars fit the rules and are useful in the upper levels, especially if you want to see the kit and the fretboards from the 300s.
Photos: Turn off your phone’s flash. Video cameras, monopods, tripods, selfie sticks, audio recording devices and professional cameras with zoom or telephoto lenses are not allowed.
Effects: About 10,000 of the seats have haptics that vibrate during the show, and Sphere warns that its events can include intense lighting, loud sound and effects like wind, fog and scent. If you are prone to motion sickness or sensitive to sensory effects, pick a seat with an easy exit aisle.
Kids: There is no age requirement. Children 2 and older need their own ticket; children under 2 may sit on a parent’s or guardian’s lap. Sphere suggests that guests under 18 attend with a parent or guardian.
Doors: Doors open 90 minutes before show time. For more on the rhythm of a night at the venue, see A Night at Sphere Las Vegas.
Rush at Sphere FAQ
Where should I sit for Rush at Sphere?
For the visuals across a long night that is supposed to include 2112 and Moving Pictures, the center 200 and 300 levels, roughly sections 205 to 207 and 305 to 307. For a value wide view, front rows of the side 300s such as 302. For closeness to the playing, the floor, once the seat map shows how that floor is configured. Avoid back rows of the 100 level if you care about the top of the screen.
Will Rush play 2112 and Moving Pictures in full?
That is the plan Lee described in the November 5 announcement, matching certain Fifty Something "one off" city shows. There is not yet a posted Sphere setlist. On the current tour, a complete Moving Pictures has meant the seven album tracks in order, and a complete 2112 has meant the title suite.
Who is drumming, if not Neil Peart?
Anika Nilles, who has been behind the kit for the Fifty Something tour since it opened in June 2026. Loren Gold is on keyboards. The residency is framed as a celebration of Peart’s life as well as of the catalog.
When do Rush Sphere tickets go on sale?
The artist presale is Wednesday, November 11, 2026, at 10 a.m. Pacific, for fans who registered through Seated. The general public on-sale is Friday, November 13, at 10 a.m. Pacific. VIP and travel packages through Superfan went on sale November 6.
When is the last announced Rush show at Sphere?
As of November 8, 2026, the last date on the books is Sunday, May 30, 2027.
For the full seating chart and other shows at the venue, see our original Sphere seating guide and our Wizard of Oz at Sphere seating guide. If you are also going to Metallica, the Eagles, Backstreet Boys or John Mayer, our Metallica at Sphere guide, Eagles at Sphere guide, Backstreet Boys at Sphere guide and John Mayer at Sphere guide cover those residencies.
Further reading

Rush: Moving Pictures (vinyl LP)
The 1981 album Lee says the Sphere show will include in full, from Tom Sawyer to Vital Signs.

Rush: 2112 (vinyl LP)
The 1976 album whose title suite, about 20 minutes in full, is planned for the Sphere set.

Rush: Permanent Waves (vinyl LP)
The 1980 album with The Spirit of Radio and Freewill, two songs that turn up often on the current tour.

Celestron Nature DX 8×42 binoculars
A closer look at the kit and the fretboards from the 200s, 300s or 400s, between screen moments.

Rush: Signals (vinyl LP)
The 1982 album with Subdivisions and New World Man, both part of the wider Fifty Something song pool.

